WRITING QUOTES XXVII

quotations about writing

I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.

ALAN HOLLINGHURST

The Paris Review, winter 2011


Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.

GARRISON KEILLOR

"Post to the Host", July 2005


Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.

F. SCOTT FITZGERALD

"One Hundred False Starts", Saturday Evening Post, March 4, 1933


Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

ROBERT REED

Lincoln Journal Star, January 11, 2004


One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953


There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

Tags: Eudora Welty


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.

CHUCK WENDIG

"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


Better to write for yourself and have no public, than to write for the public and have no self.

CYRIL CONNOLLY

The New Statesman, February 25, 1933


Brevity is the sister of talent.

ANTON CHEKHOV

letter to A. P. Chekhov, April 11, 1889

Tags: Anton Chekhov


Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

VIRGINIA WOOLF

A Room of One's Own

Tags: Virginia Woolf


I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.

JEFF ABBOTT

"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017

Tags: Jeff Abbott


In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.

CESARE PAVESE

This Business of Living, May 4, 1942

Tags: Cesare Pavese


In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984


One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.

JAMES BALDWIN

Notes of a Native Son

Tags: James Baldwin


The publishers want series, obviously. Originally, they wanted me to do the Garrett series along with another similar series, so it would be one book every six months. Eventually I'd just do the outlines and they'd get some poor unknown author to flesh out the stories. That's why you see so many books by a famous author and an unknown. You can make half the money basically by selling your name. The thing is, once your name is on enough bad books, maybe it isn't worth all that much any more.

GLEN COOK

interview, Quantum Muse


The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

Tags: John Jeremiah Sullivan


Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.

GLEN COOK

interview, SF Site, September 2005